On the drive back from the conference, we climbed into an Uber with a driver who looked like he'd already had enough of the day, maybe the week. His face was all tight angles and frustration, and he didn’t waste time getting to the point. He stared me down through the rearview and said he was tempted to cancel the ride just to get home faster. The only thing keeping him from doing it was some algorithm—the little god of ratings—telling him it wouldn’t be worth it. Fate, it seems, was programmed into the app.
We didn’t talk after that, at least not at first. But Florida traffic has a way of stretching silences until something snaps. Somewhere between the jammed lanes and the flicker of brake lights, he started talking about Bob Marley. Just out of nowhere. And like that, the tension shifted. I told him Marley’s music wasn’t just big in Jamaica or here—India’s had three generations of college kids finding themselves to No Woman, No Cry.
That’s when he dropped it. Casual, like he was talking about an old neighbor. Said he used to hook up with Marley’s kids, drove them around, hung out in the studio while they recorded. He didn’t name names, didn’t need to. It wasn’t bragging; it was just the truth of his life, sitting there in the front seat.
The ride wasn’t more than twenty minutes, but in that time, the traffic and the frustration disappeared into something bigger, something timeless. We weren’t just two strangers stuck on the road anymore—we were two people connected by the strange, quiet power of music. By the time he dropped us off, it felt like we’d shared a secret that didn’t belong to either of us but lived somewhere in between.